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How to make big heads for basketball games
Those Oversized Disembodied Heads at College Basketball Games: A Life Story
I approached the large head of Dave Leitao with the appropriate reverence. It was Christmas Eve eve, in 2011, and I was at a D-League game between the Maine Red Claws and the Iowa Energy; Leitao was the head coach of the Red Claws, which explains why there was, in the bleachers behind one of the baskets in the Portland Expo, a jumbo rendering of Dave Leitao mounted on a stick. Other faintly recognizable disembodied faces were scattered throughout the section: Red Claws assistant Donyell Marshall's distinctive sleepy-eyed mug, the poker face of former St. John's star Justin Brownlee, and a grinning image of Kenny Hayes, a scoring guard from Miami University of Ohio who is now playing for a Turkish team called Demir İnşaat Büyükçekmece.
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My instinct where these giant heads were concerned was strong, if also strange: I wanted to bring one of them home, back to my in-laws' and then eventually back—on a plane, I guess, somehow—to my own home. I knew this was wrong for a number of reasons, that doing that would be unethical and impractical and quite possibly logistically impossible, and that it would also probably bother my in-laws. I settled for a photo with Leitao's giant head. I am not by nature given to theft, or even to fantasies of theft. It's just that I loved the enormous faces so much.
Read More: "Spreadsheets Are Dope," Or The Allure Of The DIY College Basketball Fantasy League
There has never been a bad time for Oversized Disembodied Heads at basketball games, if we're being honest. Since a San Diego State fan named Conor Mongan waved the first one—an image of Michael Jackson during his turn-of-the-millennium Ghost In Disguise phase—during an Aztecs game against Long Beach State almost 15 years ago, people have recognized the weird power of the Oversized Disembodied Head. But while what Mongan calls "the whole big head thing that I started" can be traced to a specific place (it was called Cox Arena then, and is Viejas Arena now) and time (while Long Beach State's Darnell Thompson prepared to shoot a free throw with a little over 11 minutes remaining in the first half on December 12, 2002), it's hard to pinpoint its high-water mark.
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There is a sense, though, that it is already behind us. It's not that Oversized Disembodied Heads, which we should probably just call ODHs in the interest of brevity, have stopped showing up at college basketball games. Nor are they somehow less distracting or amusing in their intended ways; it's hard to imagine a future in which it will not be startling to be abruptly and inescapably confronted with a full-color four-foot rendering of, say, Larry King's face. It's just that ODHs are no longer new; they have faded into the manic background from which they emerged, and become part of the broader landscape of college basketball's signature all-encompassing overage. They are a thing of beauty, forever and always, but they also exist in a strange place at the moment. What happens to a meme, really, in its middle age?
Yes, even in Utah. Photo by Jeff Swinger-USA TODAY Sports
Here is the creation story, as it is generally told. The Show is a fan community at San Diego State whose existence goes back to 2001, and is still a presence at Aztecs games. It was as a member of The Show that Mongan broke out that first big head, and whether it was because of the jarring presence of a gigantic leering homemade Michael Jackson or not, two missed free throws ensued. Two missed free throws and many hundreds of heads.
Mongan's innovation was soon shared widely among members of The Show, who made the heads a central part of their in-game routine. "Gene Simmons (with a realistic waving tongue) and Siegfried & Roy, were first up," the "lore" section of The Show's website explains. "As the numbers grew, so did the looks from the opposing players and bench, as well as free throw misses. So more were made, primarily a collection of quirky celebs like Chris Farley, Conan O'Brien, Larry King, Chuck Norris, Richard Simmons, and Emilio Estevez."
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In his 2013 piece on the rise of the ODH in Sports Illustrated, George Dohrmann traces the rapid national spread of the big head back to a photo of The Show that appeared in a December 2005 issue of ESPN The Magazine. "In that photo," Dohrmann writes, "no less than nine heads are visible." People with positions of authority in various athletic departments saw those heads—they included Lil Jon and a SDSU message board personality named "Aztec Joe"—and moved to replicate the ODH idea in their home gyms.
Marquette's assistant athletic director for marketing found a local sponsor to print the heads, and it took off. When Indiana hired Tom Crean away from Marquette, he brought the ODHs with him to Bloomington; Crean is an ardent and public fan of the big heads. When the assistant AD was hired by Louisiana State and then Oregon, the ODHs went there with him. "Viral" is the most obvious word for it, but also the most appropriate: a few carriers introduce something new into a population that is, in this case, the opposite of immune where ridiculous ideas are concerned.
It seems wrong to describe the wildfire wave of the ODH as an epidemic, but it's the grimness of the metaphor that doesn't fit, not the fact of how it all worked. By the time Dohrmann wrote his story about ODHs, the big heads were everywhere; a nation of charged-up college-age goofballs caught the same benign spirit of collective absurdity and then proceeded to raise the stakes on itself, repeatedly and furiously. There were industries large and small dedicated to producing and selling the heads. That was four years ago.
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"I still have the original one in my parents' house," Conor Mongan told me. He was referring to the first Michael Jackson ODH that he held up against Long Beach State all those years ago. "It's autographed by like the 2005 [San Diego State] basketball team. The photo was from one of the court appearances. It was a super-weird time for Michael Jackson. And his nose had like weird bandages on it?" He offered to send me a picture of it and I said yes; I can confirm that it is indeed profoundly hideous. "I keep waiting for someone to call me and take it and put it in a hermetically sealed airtight chamber."
Mongan is from San Diego and attended San Diego State before he "went pro early" and moved to the Bay Area to work in graphic design. He came back to San Diego several years later; when he joined up with The Show during its early days, he was a non-student. "To be honest," he said, "when we were getting started there weren't that many students going to the games. And where we were situated, it was right by the opponent's bench. So we just kind of had free reign, and had all this room to ourselves to jump around and act like idiots. The allure was kind of the impact that you could have on the games, because it was so sparsely attended."
Mongan's contribution to the long tradition of fans trying to make things weird for the visiting team unfolds like basically every other cool thing in the culture, with young people messing around and being creative and trying to amuse and impress each other with acts of avant-garde dumbness. It was not just a DIY process but something like an artisan one; Mongan made the prints at Kinko's and assembled them himself. "Back in the day," he said, "there would almost be like an audible gasp or a cheer when we'd unveil a new one, because there was this element of surprise. I'd just like, roll in from Kinko's and no one really knew what it was going to be. It was this cool time period where we just kind of had freedom, creatively, to pump out the weirdest stuff possible."
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As the idea grew up and out from San Diego, it didn't so much change as grow up. Some of this was simply the result of the world recognizing a good idea well executed; University of Alabama student Jack Blankenship parlayed an ODH he made of his own cartoonishly scowling face into an internship at The Tonight Show, which later became a job as a researcher. In February, Blankenship was on the show himself, playing The Jackson Five's "I Want You Back" on a harmonium, through his nose.
For the most part, though, the ODH aged into something familiar. Schools printed and distributed their own signs, then collected them at the end of games when they could; these were funded by line items in the athletic department's marketing budget. A 2010 story from the Times of Northwest Indiana tells of how IU marketing director Pat Kraft found a way to make the school's ballooning ODH budget work: Fifth Third Bank sponsored the heads, offsetting nearly all of the cost. One concession was that a Fifth Third credit card wound up in the rotation of disembodied heads, bobbing around at games next to Andre the Giant and Tom Crean. A company called Build-A-Head still maintains an online business in making ODHs—prices start at $14.99 for a 12x18 head on a stick; the three-foot "Giant Head Cutout" is $49.99, marked down from $54.99 for the season—but wound up getting bigfooted into a niche once Fathead and its passel of official licenses and chairman (and Cleveland Cavaliers owner) Dan Gilbert's cash got into the game. As Fathead CEO Patrick McInnis put it to Dohrmann, "There have been other companies who have been doing [big heads] for awhile. But we made our heads obnoxiously big."
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The famous spontaneity we love to know. Photo by Richard Mackson-USA TODAY Sports
To a certain extent, this is just how this sort of thing goes, and the free market doing what it does. It's not that the number of Oversized Disembodied Heads has diminished, or that they've lost their undeniable uncanniness or unverifiable effectiveness. It's that, as they have expanded and grown and expanded and grown, they have receded into a familiar sort of recursiveness. The original absurdity has flattened into the familiarity of the over-humped meme—something that exists primarily to be recognized. The first person who holds up a funny sign behind the talking heads on College GameDay is doing a great service to the universe. What would you say that the 350,000th person is doing?
Mongan admits that there was a period of time, during the first viral bloom of the ODH moment, when he was angry and jealous about seeing an idea that he thinks of as his, and more broadly that of his fan crew, spreading so far and so heedlessly. "And then it just became so oversaturated that I didn't have the emotional capacity for that amount of jealousy and rage," he says, "so I kind of just let it go." Still, he has some misgivings about what's come after the original ODH gold rush. "All the initial ones were just very bizarre, like B- and C-level actors, just the worst photos possible of all these people," he says. "The disappointing thing is that as it's evolved it's just turned into like a glorification showcase—like the best player on the team, or the coach. It feels like just another way to get on TV."
Mongan moved to Austin and runs a photo-booth business—"an experiential marketing firm, that's the fancy way to say it"—called SUM Booth. He sees the heads on TV, because he watches basketball and because they are still everywhere. "To be honest," he says, "I don't feel anything. I've almost come to expect that if I turn on a college basketball game, it's almost weird if you don't see one in the crowd. I've just grown to accept that it is part of the fandom landscape at this point." He did not sound angry, or even really all that sad. He just sounded like someone talking about the world in which he lives.
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Gonzaga players, as much as anyone, enjoy the big-head phenomenon
Sports
> Gonzaga basketball
Sat. , Dec. 3, 2016
Big heads of Josh Perkins and Zach Collins are distributed to Gonzaga students before the game with Bryant on Nov. 18 at McCarthey Athletic Center. (Colin Mulvany / The Spokesman-Review)
By Michael Gulledge [email protected]
NCAA BASKETBALL
At McCarthey Athletic Center, Spokane
BULLDOGS97
DELTA DEVILS63
Saturday, Dec. 3: Gonzaga Bulldogs vs. Arizona Wildcats at Los Angeles, 2:30 p.m. TV: ESPN
Student sections at basketball games have always been known for their wild and crazy attempts to distract the opposing team.
Beginning in the early 2000s, it has become common for the faces of players, coaches, celebrities – and on some occasions President-elect Donald Trump – to be seen held high above student sections during college basketball games.
A few years ago, Gonzaga’s student section, the Kennel Club, joined the ranks of many other universities which had student sections participating in this new tradition.
Anyone in attendance at the McCarthey Athletic Center may see an emotionless, straight-faced Przemek Karnowski slowly rise up from the Kennel. Another possible sight is a cross-eyed and lip-scrunched Zach Collins.
“I probably think mine is the best,” Collins said following Thursday’s 97-63 victory over Mississippi Valley State.
Silas Melson, who is squinting one eye and sticking his tongue out for his enlarged head cutout, claims Collins’ poster is last on the team.
“I’ve seen it. It was kind of scary looking,” Melson said.
“I could’ve probably had some better funny faces for the poster,” Collins said. “But I like it. I think it keeps everybody loose because it’s pretty funny.”
And it’s not only those three players. A whole range of Bulldogs have oversized heads depicting funny facial expressions.
Distributed by the Kennel Board before tipoff, these head posters are given to students in exchange for their student ID card.
Nick Granberg, the senior class representative of the Kennel Board, said the posters are given to students who display the most school pride. He also said the board tries to disperse them evenly throughout the student section.
While serving as a tool to support the players and provide the other team with a distraction, these oversized head posters have grown in popularity.
Who knows what face will appear in the Kennel next?
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Slamdunk Journal :: Basketball techniques
Our phone number is 8-800-500-62-63.
What techniques exist and how they differ
Let's first deal with the definition: playing techniques are skills that a professional player must possess. Sounds simple, but what exactly are the skills in basketball? What should an amateur who wants to improve the performance of his game pay attention to? Let's figure it out.
The main goal in basketball is to successfully hit the ball into the basket, and everything that happens on the court only leads the players to this moment. There are skills that basketball players work out in training to bypass rivals and make a successful shot.
Before we list them, let us remind you that basketball is a team sport, and even the most successful players do not master all the tricks perfectly. With a serious approach to training, you should decide on your position on the site and especially carefully work out the necessary techniques.
So the post must deftly pick up the ball under the hoop and throw it right into the basket. Back row players are highly regarded for their ability to pass and make accurate shots from medium to long distances. And for an attacking basketball player, it is extremely important to be able to make lightning-fast breakthroughs to the ring. All these techniques and skills are practiced in training.
What are the basic skills?
- Holding the throw. Performed with two hands. Widely spaced fingers hold the ball from both sides. One of the basic skills for any player.
- Catching the ball. Another basic skill that no basketball player can do without. But are you sure you know how to do it right?!
The easiest way to catch the ball is at chin level. To do this, you need to take a small step forward and stretch your arms towards the ball with widely spread fingers - a “funnel”. In this case, the thumbs should be directed towards each other and brought together up to 3-5 centimeters. This will save you from slipping and hitting the ball in the face if you catch it at high speed. At the moment the ball touches the fingers, you need to make a shock-absorbing movement and transfer it to the chest. When catching the ball above the head, the actions are similar, but you need to extinguish the speed of its flight from the top-front, and then transfer it to the chest in an arc.
One of the most difficult tricks is catching the ball flying behind. Such a pass is often used to quickly break through to the opponent's ring. For him, without slowing down, make a slight turn of the shoulder and head towards the ball, and then catch it with the far hand and move it to the chest with a raking movement.
Basic passing techniques:
There are several technically correct ways to pass the ball. One of the most basic is a transfer with two hands from the chest. In this position, the ball is most protected from the attacks of opponents, and besides, the transfer from the chest is the most accurate and reliable, regardless of whether it is carried out on the spot or while the player is moving.
- Two-handed downshift is more commonly used after stops and turns. During the swing, the ball is taken to the thigh, after which it is sent to another player with a sharp movement of both hands. Such a transfer is effective for beating especially tall opponents.
- One-handed passes are less accurate and more often used when speed is important. Their development should be given special attention in training in order to achieve maximum strength and accuracy.
- The shoulder pass is used when the ball needs to be passed as far and as fast as possible, and the hook pass, performed in an arcing motion, is good for passing the opponent.
- To get around a nimble and agile opponent, a rebound pass will also be good. It can be done with one or two hands. In this case, the push of the ball must be strong, and the rebound point must be closer to the receiving player.
What about dribbling?
Dribbling is the most basic thing in basketball. What makes this sport different from the rest. Simply put, dribbling is dribbling. It allows the player in possession of the ball, without violating strict basketball rules, to enter a position convenient for attacking, approach the ring and score the ball. The dribbling is carried out by elastic pushes of the ball with the fingers. It is dribbling that should be given special attention in training beginners.
Well-developed dribbling technique will teach you not only how to move on the court, but also skillfully take the ball away from your opponents, which will bring you closer to the coveted ring.
But we already wrote about how to properly throw the ball into the ring in our other article;)
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Basketball techniques
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Choosing a basketball
Basketball technique includes serving (passing the ball, receiving a pass), dribbling, shooting to the basket, body control and feints. The correct use of technique in basketball largely depends on the observance of the rules of the game. A small area for the game, the foul rule, the rules for moving around the area - all this causes a constant and quick change of direction, movement and effort, a high pace of play.
Basketball: ball handling.
The ball is held with fingers spread freely. When passing and dribbling the ball, throwing it into the basket, the arms are bent at the elbows.
It is important to hold the ball correctly with your hands. The throwing hand must be positioned so that the fingers are perpendicular to the seam lines of the ball and the other hand must hold the ball and correct it. The fingers of the throwing hand should be wide apart.
As a rule, a basketball player has to catch and hold the ball in any position and action, standing still, jumping, moving, at different heights. To prevent the opponent from intercepting the ball, the player must open - i.e. run out into the open or towards the ball.
Basketball: passing the ball.
In most cases, the ball is passed with both hands in order to pass more accurately, confidently and quickly. You can pass the ball from a place, in motion (on the run), in a jump, directly to a teammate or after hitting the floor. The fast pace of the game determines the transfer of the ball in the shortest time and from any position.
Pass with two hands from the chest.
Such a pass makes it possible to send the ball sharply and accurately at close range. The player holds the ball with both hands in front of the chest, the thumbs are pointing back and slightly up, as if pointing at each other, the remaining fingers are widely spaced. The elbows are almost pressed to the body, which is tilted forward. The ball is thrown with an explosive movement of the hands, fingers and elbows to give it spin. As a rule, with the transfer, the player takes a step forward or to the side.
Two-hand pass from above (overhead).
This pass is used from anywhere in a positional attack. Back row players very often resort to just such a pass, giving the ball to the post player. Tall players also use it. Having received a high pass, they immediately return the ball or give it to a teammate coming out at speed. The hands hold the ball to the side, slightly behind, fingers up, and the thumbs should be pointing back towards each other. The ball is lifted up, without turning back, behind the head, with elbows slightly bent, quickly and sharply thrown using the movements of the hands, taking a small step forward.
Shoulder pass with one hand.
This is the most common way to pass the ball in basketball to pass it to any distance with good ball control and minimum swing time. The hand with the ball is taken to the shoulder and thrown sharply in the right direction. In this case, an overflowing movement of the hand and a turn of the body occur. The player can additionally correct the trajectory of the ball at the last moment with a movement of the brush.
One-hand overhand transmission.
Using this passing method, a basketball player can send the ball over the opponent's high arms. To perform such a pass, the athlete turns sideways in the direction of the pass, moving the hand with the ball a little to the side and turning it back, sends it up in an arc with a sharp swing. At the moment when the ball is over his head, he releases it.
Rebound transmission.
If the post is heavily marked, this is the most effective way to pass the ball. When breaking fast and outplaying the opponent, this is the best time to use this pass. This pass resembles a pass with both hands from the chest. In this case, the ball hits the floor at a distance of 2/3 from the passing basketball player to the receiving one. With this method of passing, the ball should not bounce high. Ideally, to the level of the belt, for the convenience of its reception. When passing the ball in this way over long distances, usually more than 5 meters, it is given rotation, which increases the speed of the ball.
Hook transfer.
This is a long transmission. It is used to pass the ball to a player going into a fast break under the opponent's shield. It is performed with a swing movement of the other bent at the elbow. In this case, the ball is released up and forward with finger and hand movements. With the second hand, the elbow, the player defends himself from the attacking enemy. The execution of such a jump pass is very difficult. It is necessary to have time to pass the ball to the receiving player before the sender falls to the floor. This transmission must be used both with the left and right hand.
Passing behind the back.
This transmission is performed by the game masters on the move. It is difficult to accept such a pass, here you can easily lose the ball. This pass is very effective when playing against two opposing defenders.
Basketball: receiving a pass.
Handle the ball with two hands, if possible. By the time the ball is touched, the arms should be extended towards it, and then quickly bent (already with the ball) at the elbows in order to weaken the impact force. When catching the ball on the run, a 2-pin rhythm (two-step technique) must be observed.
Receiving the ball while touching the floor counts as 1 step (first contact). As soon as the athlete has caught the ball, he makes an easy jump. After a step, he must stop or pass the ball further before the 3rd step is taken.
Live reception.
While in the free zone, the basketball player takes a step forward in the direction of the player passing the ball, while slightly extending his arms, bent at the elbows, with palms facing each other, fingers wide apart at chest level. When receiving the ball, the arms naturally bend closer to the chest. The ball itself is well caught with spread fingers. Having received a direct pass, it is important to cut off the defender from the ball. When catching the ball, it is desirable to use both hands, although it is possible to receive a direct pass with one hand.
One-handed transmission.
Usually, the reception of the pass with this hand occurs at full speed at the moment of the pursuit of the player by the opponent's defenders. Such reception and transmission require a great deal of coordination. It is necessary not to stray from the step while receiving the ball and immediately throw it without touching the floor with the ball. Otherwise, the opponent's defender will be able to take possession of the ball.
The fingers of the receiving hand are slightly bent and wide apart, while the receiving hand is slightly bent at the elbow. Having received the ball, she bends slightly, compensating for the force of the transfer. When receiving the ball, the body turns somewhat towards the receiving hand with the catching hand, and the second hand is sharply extended upwards to control and hold the ball with the fingers of both hands.
Reception of a pass in the position of the post player.
The center player must control the location of the opponent's defenders. The player raises the arm farthest from the defender up as a target for the player passing the ball. Catching the ball is the same as in the free zone with one hand. The transfer of the ball to the center can be both direct and hinged or with a rebound from the floor and rotation of the ball. The center player must be able to receive different passes from any of the hands. With a fast reverse pass, the opponent's basket is often taken.
Hand-to-hand reception.
When moving at full speed, it is important to be able to receive the ball from hand to hand. As a rule, such a pass precedes the execution of a feint that overcomes the opponent's defense. Such a transfer is usually carried out without additional rotation and is received at waist level with both hands. After receiving such a pass, the player who received it immediately throws or dribbles the ball.
Basketball: pass interception.
The actions of defensive players aimed at taking possession of the ball in basketball are called interceptions. The interception is performed, as a rule, when the attacking players of the opponent make a throw or pass the ball. If the interception is successfully completed by the defenders, a record of the loss of the ball by the attacking side is made in the report on the progress of the game. After performing a successful interception, the team in possession of the ball goes into a rapid attack, which ends with a throw into the opponent's basket.
Interception of the ball during the pass.
If an attacking player is waiting for a pass while standing still, it is relatively easy to intercept the pass. Such a ball is caught in a jump, making a jerk and intercepting the ball with one or both hands.
Another thing is if the attacking player goes to pass the ball. In this case, the defender needs to intercept the ball, ahead of the opponent on the way to the ball at a short distance, which is quite difficult. The defender must cut off the attacker's path to the ball with his hands and shoulder. Having practically come close to the opponent, bowing a little to the side, in order to avoid a collision, to intercept him. After a successful interception, in order to avoid a run, you must immediately switch to dribbling the ball or passing it to a teammate to carry out a counterattack.
Interception of the ball while dribbling.
When the attacker is not technically dribbling the ball, when the ball is dribbling too high without covering it with the body, it is quite easy to intercept the ball. It is necessary to make a jerk and knock the ball from the opponent with two or one hand.
To intercept the ball effectively and efficiently, the player must be in position in the possible path of the opponent's passing the ball. As a rule, interceptions are carried out by the back line of the team, and these are small forwards, defenders and point guards, as well as players of larger size.
Only with an understanding of the game and a sense of the right position can a successful interception of the ball be made.
Basketball: dribbling
Dribbling (ball dribbling) is one of the ways to move the ball on the court, apart from passing. Excessive attention to dribbling is not welcomed by the coach, because. reduces the speed of the game and reduces the possibility of different combinations, in contrast to the passing of the ball. However, dribbling is and remains an essential element of basketball.
Technique of dribbling.
When dribbling the ball on the run, the athlete at every second step hits the ball (with one hand) on the floor and smoothly catches it. It is advisable not to look at the ball. Athletes must be able to dribble equally well with both their right and left hands. It is not difficult to drive the ball around the court in this way, but at any moment the player can lose the ball, which is quite simply taken by the opponent with such dribbling. Dribbling is usually used to enable teammates to take the right positions in order to receive the ball.
Basketball: basket shots.
Throws into the basket - near or far - are performed with one or two hands directly into the basket or after hitting the ball against the backboard.
A close throw into the basket is usually carried out in a jump after hitting the ball against the backboard (sometimes on the run or from a stop) and with great force so that the opponent's defenders could not interfere with this throw.
A long-range shot with a high flight path is made directly into the basket from the spot (experienced basketball players perform this shot in a jump). In all cases, the direction and force of the throw are decisive. Throws into the basket from close range athletes must perform equally well with both right and left hands.
Taking into account the containment of the onslaught of the opposing team, the observance of the most important rules, the rapid movement around the court, the large expenditure of energy, we can say that throwing the ball into the basket is the most difficult technical element of the game of basketball, moreover, it requires good orientation from the athlete, quick reaction and combination-motor skills.
Basketball: body control technique.
The technique of body control usually includes all movements without the ball: turning, all kinds of runs, stops and jumps. They are a prerequisite for mastering the technique of working with the ball and the basis of defensive technique.
Basic stance characteristic of basketball players – legs slightly bent at the knees, correct distribution of the body's main center of gravity helps to quickly respond to changing situations on the court.
There are different types of runs. They are characterized by frequent and sudden changes in speed, direction and technique of jogging (normal walking and running, side step). They alternate with jumps. Athletes often use one-foot pivots (other foot out to the side) to hold the ball.
Basketball: tricks.
Feints (feints) are related to body control techniques and are used mainly by attackers. First of all, there are feints with the ball - false passes, shots to the basket, dribbling and feints without the ball - a false change in speed and direction. We need a quick transition from feints to the game itself.
Without being able and not using feints in basketball, it is practically impossible to beat the opponent. It is practically impossible to break through to the ring without changing the trajectory. It is necessary to go to the distance of the effective throw. Therefore, the key to victory for each team is the ability of the players to make deceptive movements (feints). It is desirable to have at least a dozen such movements in the player's piggy bank.
Basketball tricks consist of four steps:
- 1. Finding a detour to the basket when the direct path is blocked by the opponent.
- 2. Performing a false movement or side step to deceive an opponent? who will attempt to block the intended path.
- 3. At the moment the opponent starts moving to block, make a dash in the other direction, thereby catching the opponent by surprise.
- 4. Leave the opponent behind with a couple of steps, avoiding pushing him away with the hand in order to avoid a foul.
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