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How to make basketball jersey design in photoshop


How to Make Custom Basketball Jerseys the Easy Way!

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Once You Use Our Basketball Jersey Template You’ll Never Go Back To Complicated PSDs

how to make basketball jerseys

Are you ready for the next basketball season? Are you in the process of designing new uniforms for your team? Refreshing your logo? Let me paint you a picture. Let’s say you’re part of the fundraising committee in charge of getting you basketball team a swanky new uniform for next season. Usually, you would go around to different print shops trying to figure out colors, styles and every little detail to have the perfect jersey. Well, with Placeit’s basketball jersey templates you can show your uniform provider and team how you want the new uniforms to look in real life.
Now that you know how to create an original basketball logo using Placeit’s Basketball Logo Designer, I’ll show you how easy it is to create a realistic mockup of your design in real settings, with players wearing uniforms you can customize to match your team’s colors, as well as showcasing your brand new logo.

Using Placeit’s Basketball Jersey Templates Will Feel As Good As A Three-Pointer

They say that wearing the jersey is what gives teams unity and strength, so you want the best design possible for your players, right? Now, going to a print shop and getting the uniform printed before approval can be tricky and can set you back a few hundred dollars. Why not use one of Placeit’s custom basketball jersey templates to show your players or clients how the final design will look?

Wait A Minute, Why Would I Use A Jersey Template?

There are a lot of ways of showing off a design like sketching it up and showing it to other members of the fundraising committee, you could show your clients a flat digital design of what the final product might look like, or you could show everyone a cool action shot with real-life players sporting your design in awesome settings like this one:

  • You can try it out on different color combinations, our templates are fully customizable to match your team’s colors.
  • You can show your jersey sponsors how they will look in real life, once they’re printed out.
  • You can hype up your players with the amazing new gear.

So, Is Showing Off My Design The Only Thing I Can Do With These Mockups?

No! You can do so much more like promoting your jersey with parents or school staff. Also, other supporters might want to wear their team pride and selling custom basketball jerseys is a great way to fundraise for your organization.
Also, you can use Placeit’s apparel mockups to show your logo in other settings and sell some awesome merchandise for family, friends, and fans to support your team and cheer them all the way to the top!

But, How Do I Make A Basketball Jersey Mockup?

Using Placeit’s custom basketball uniform maker is super simple and it only takes a few minutes check it out:

  1. Select the basketball jersey maker you want, there’s a lot of them so make sure to scroll and look at them all.

2. Upload your logo. You can also change the number, its font and most importantly the color.
3. Next up, it’s time to choose the garment colors. Here you can choose your team’s colors, that way when you take it to the printers they will have a clear idea of how you want it to look.
4. Finally, you’re ready to use it! Click download and in a few seconds, your custom jersey template will be ready to use!

What Will I Get When I Click Download?

You will get a high definition 1440 x 1920 pixels png image file to be used as an advertising material or to be sent to your basketball uniform provider as an example of how you want the final product to look like.
I know it sounds too simple to be true, but believe me, it is.

Is There Any Other Way of Making Basketball Jersey Templates?

Some custom jersey sites provide previews but usually, the pictures turn out flat and boring and this is not what you want from a picture that’s supposed to hype up your team!
There are other ways of making basketball jersey mockups. If you know how to use Photoshop you could use PSDs, but finding good templates that don’t look cheap or basic is a hassle, and it’s a bit hard to make them look realistic. Also, they take a ton of time that you could be using training for the next big tournament!

There Must Be A Catch, Is It Super Expensive?

Visit Placeit to create a basketball jersey template to promote your team’s logo and colors!

 

 

“Placeit ‘s offer a beautiful customizable uniform to display my team colors and logo.”
Martin Whitaker 5/5

Tags: custom basketball jerseys custom basketball uniforms jersey Make Custom Basketball Jerseys mockup Sports template uniforms


Promote Your Team With Paceit's Tools

Now that you know how to use Placeit to customize basketball uniform templates, you can leverage our custom logo maker tool, or a custom jersey for other sport: baseball, football, soccer, volleyball, and many more. Without photoshop, there is no better way to improve the performance of your team's promotion campaigns!

Customize Your Jersey Now


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Last update Nov 15, 2022 09:19:14 AM GMT

  1. Photoshop
  2. User Guide
  3. Introduction to Photoshop
    1. Dream about it. Do it.
    2. What's New in Photoshop
    3. Editing the first photo
    4. Create documents
    5. Photoshop | FAQ
    6. Photoshop
    7. system requirements
    8. Transferring presets, operations and settings
    9. Introduction to Photoshop
  4. Photoshop and other Adobe products and services
    1. Working with Illustrator artwork in Photoshop
    2. Working with Photoshop files in InDesign
    3. Substance 3D Materials for Photoshop
    4. Photoshop and Adobe Stock
    5. Working with the built-in Capture extension in Photoshop
    6. Creative Cloud Libraries
    7. Creative Cloud Libraries in Photoshop
    8. Working in Photoshop using the Touch Bar
    9. Net and guides
    10. Create transactions
    11. Cancellation and transaction history
  5. Photoshop on iPad
    1. Photoshop on iPad | General questions
    2. Introduction to the working environment
    3. System requirements | Photoshop on iPad
    4. Create, open and export documents
    5. Adding photos
    6. Working with layers
    7. Drawing and painting with brushes
    8. Selecting areas and adding masks
    9. Retouch compositions
    10. Working with Adjustment Layers
    11. Adjusting the key of a composition using the Curves layer
    12. Applying transform operations
    13. Trim and rotate compositions
    14. Rotate, pan, zoom and restore canvas
    15. Working with text layers
    16. Working with Photoshop and Lightroom
    17. Getting missing fonts in Photoshop on iPad
    18. Japanese text in Photoshop on iPad
    19. Application parameter management
    20. Touch shortcuts and gestures
    21. Key combinations
    22. Image resizing
    23. Live stream your creative process in Photoshop on iPad
    24. Fix imperfections with Healing Brush
    25. Creating brushes in Capture and using them in Photoshop
    26. Working with Camera Raw files
    27. Creating and using smart objects
    28. Adjusting the exposure of images with the Dodge and Burn tools
  6. Photoshop Web Application Beta
    1. Frequently Asked Questions | Photoshop Web App Beta
    2. Working environment overview
    3. System requirements | Photoshop 9 Web App Beta0010
    4. Keyboard shortcuts | Photoshop Web Application Beta
    5. Supported file formats | Photoshop Web Application Beta
    6. Opening and working with cloud documents
    7. Collaboration with stakeholders
    8. Limited editing options for cloud documents
  7. Cloud Documents
    1. Photoshop Cloud Documents | Frequently Asked Questions
    2. Photoshop Cloud Documents | Workflow Questions
    3. Work with and manage cloud documents in Photoshop
    4. Cloud storage update for Photoshop
    5. Unable to create or save cloud document
    6. Troubleshooting Photoshop cloud documents
    7. Collection of cloud document synchronization logs
    8. Sharing and editing cloud documents
    9. File sharing and commenting in the application
  8. Working environment
    1. Working environment basics
    2. Learn faster with the What's New panel in Photoshop
    3. Create documents
    4. Working in Photoshop using the Touch Bar
    5. Tool gallery
    6. Performance settings
    7. Using tools
    8. Touch gestures
    9. Touch gestures and customizable workspaces
    10. Technology overview versions
    11. Metadata and comments
    12. Default key combinations
    13. Touch gestures and customizable workspaces
    14. Putting Photoshop images into other applications
    15. Installations
    16. Default key combinations
    17. Rulers
    18. Show or hide non-printing auxiliaries
    19. Specifying columns for the image
    20. Cancellation and transaction history
    21. Panels and menus
    22. File storage
    23. Positioning of elements with referencing
    24. Positioning with the ruler tool
    25. Setting sets
    26. Customizing keyboard shortcuts
    27. Net and guides
  9. Web, screen and application content development
    1. Photoshop for design
    2. Artboards
    3. View on device
    4. Copy CSS from layers
    5. Splitting web pages into fragments
    6. HTML options for snippets
    7. Changing the arrangement of fragments
    8. Working with web graphics
    9. Create web photo galleries
  10. Understanding images and working with color
    1. Resizing images
    2. Working with raster and vector images
    3. Image size and resolution
    4. Importing images from cameras and scanners
    5. Creating, opening and importing images
    6. Image viewer
    7. "Invalid JPEG marker" error | Opening images
    8. Viewing multiple images
    9. Customize color palettes and color swatches
    10. HDR images
    11. Image color matching
    12. Converting between color modes
    13. Color modes
    14. Erase sub-images
    15. Blend Modes
    16. Choice of colors
    17. Making changes to indexed color tables
    18. Image information
    19. Distortion filters not available
    20. Color details
    21. Color and monochrome corrections with channels
    22. Selecting colors in the Color and Swatches panels
    23. Sample
    24. Color mode (or picture mode)
    25. Shade
    26. Add color mode change to operation
    27. Add swatches from HTML CSS and SVG files
    28. Bit depth and settings
  11. Layers
    1. Understanding Layers
    2. Reversible editing
    3. Create and manage layers and groups
    4. Selecting, grouping and linking layers
    5. Putting images into frames
    6. Opacity and layering
    7. Layer masks
    8. Application of smart filters
    9. Layer compositions
    10. Move, arrange and lock layers
    11. Layer masking with vector masks
    12. Manage layers and groups
    13. Effects and Layer Styles
    14. Editing layer masks
    15. Extract resources
    16. Display layers with clipping masks
    17. Generation of graphic resources from layers
    18. Working with Smart Objects
    19. Blend Modes
    20. Combining several fragments into one image
    21. Combining images with Auto Layer
    22. Alignment and distribution of layers
    23. Copy CSS from layers
    24. Load selections based on layer boundaries or layer masks
    25. See-through to show the contents of other layers
    26. Layer
    27. Mixing
    28. Composite images
    29. Background
  12. Selections
    1. Select and Mask workspace
    2. Quick area selection
    3. Getting Started with Selections
    4. Selecting with the Marquee Toolbox
    5. Selection with the Lasso tools
    6. Selecting a color range in the image
    7. Pixel highlight setting
    8. Convert between contours and selection boundaries
    9. Channel Basics
    10. Moving, copying and deleting selected pixels
    11. Creating a temporary quick mask
    12. Save selections and alpha channel masks
    13. Selecting focus areas in an image
    14. Duplication, splitting and merging of channels
    15. Channel calculation
    16. Extraction
    17. Bounding box
  13. Image corrections
    1. Perspective distortion
    2. Blur reduction due to camera movement
    3. Healing Brush Tool Examples
    4. Export color lookup tables
    5. Image sharpening and blurring
    6. Introduction to color grading
    7. Applying the Brightness/Contrast setting
    8. Shadow and Highlight Detail Correction
    9. "Levels" correction
    10. Hue and saturation correction
    11. Juiciness correction
    12. Adjusting the color saturation in image areas
    13. Quick tone correction
    14. Applying special color effects to images
    15. Image enhancement with color balance correction
    16. HDR images
    17. View histograms and pixel values ​​
    18. Image color matching
    19. Crop and straighten photographs
    20. Converting a color image to black and white
    21. Adjustment and fill layers
    22. Curves correction
    23. Blend Modes
    24. Target Imaging for Press
    25. Color and tone correction with Levels and Curves eyedroppers
    26. HDR Exposure and Toning Compensation
    27. Filter
    28. Blur
    29. Lighten or darken image areas
    30. Selective color correction
    31. Changing object colors
  14. Adobe Camera Raw
    1. Camera Raw
    2. system requirements
    3. What's New in Camera Raw
    4. Introduction to Camera Raw
    5. Creating panoramas
    6. Supported lenses
    7. Camera Raw 9 Vignetting, Grain, and Haze Removal0010
    8. Default key combinations
    9. Automatic perspective correction in Camera Raw
    10. Reversible editing in Camera Raw
    11. Camera Raw Radial Filter Tool
    12. Manage Camera Raw Settings
    13. Processing, saving and opening images in Camera Raw
    14. Improving Images with Camera Raw's Improved Spot Remover
    15. Rotating, cropping and modifying images
    16. Camera Raw color correction
    17. Function overview | Adobe Camera Raw | Issues for 2018
    18. Overview of new features
    19. Processing versions in Camera Raw
    20. Making local adjustments in Camera Raw
  15. Fixing and restoring images
    1. Removing objects from photos using Content-Aware Fill
    2. Content-aware patching and relocation
    3. Retouching and fixing photos
    4. Image Distortion and Noise Correction
    5. Basic troubleshooting steps to solve most problems
  16. Image transformation
    1. Object transformation
    2. Crop, rotate and canvas adjustment
    3. Crop and straighten photographs
    4. Creating and editing panoramic images
    5. Deforming images, shapes and contours
    6. Perspective
    7. Using the Liquify filter
    8. Content-aware scale
    9. Transforming images, shapes and paths
    10. Deformation
    11. Transformation
    12. Panorama
  17. Drawing and painting
    1. Drawing symmetrical ornaments
    2. Options for drawing a rectangle and changing the stroke
    3. Drawing details
    4. Drawing and editing shapes
    5. Paint tools
    6. Creating and modifying brushes
    7. Blend Modes
    8. Adding color to contours
    9. Edit contours
    10. Painting with mix brush
    11. Brush Presets
    12. Gradients
    13. Gradient interpolation
    14. Fill and stroke selections, layers, and paths
    15. Drawing with the pen tool group
    16. Making patterns
    17. Creating a pattern with the Pattern Builder filter
    18. Loop control
    19. Managing pattern libraries and presets
    20. Drawing with pen tablet
    21. Creating textured brushes
    22. Adding dynamic elements to brushes
    23. Gradient
    24. Draw stylized strokes with the Artistic Archive Brush
    25. Drawing with pattern
    26. Synchronizing presets across multiple devices
  18. Text
    1. Adding and editing text
    2. Universal text editor
    3. Working with OpenType SVG Fonts
    4. Character formatting
    5. Paragraph formatting
    6. Creating text effects
    7. Text editing
    8. Leading and letter spacing
    9. Font for Arabic and Hebrew
    10. Fonts
    11. Troubleshooting fonts
    12. Asian text
    13. Create text
    14. Text Engine error when using Photoshop's Type tool | Windows 8
  19. Video and animation
    1. Video editing in Photoshop
    2. Editing video and animation layers
    3. Introduction to video and animation
    4. Video and animation preview
    5. Drawing frames in video layers
    6. Import video files and image sequences
    7. Create frame animations
    8. Creative Cloud 3D Animation (Preview)
    9. Create timeline animations
    10. Creating images for videos
  20. Filters and effects
    1. Using the Liquify filter
    2. Using Blur Gallery group effects
    3. Filter basics
    4. Filter effects guide
    5. Adding lighting effects
    6. Using the Adaptive Wide Angle filter
    7. Oil Paint Filter
    8. Effects and Layer Styles
    9. Application of specific filters
    10. Image area feathering
  21. Saving and exporting
    1. Saving files in Photoshop
    2. Export files to Photoshop
    3. Supported file formats
    4. Saving files in other graphic formats
    5. Moving projects between Photoshop and Illustrator
    6. Saving and exporting video and animation
    7. Saving PDF files
    8. Digimarc copyright protection
  22. Printing
    1. Printing 3D objects
    2. Printing with Photoshop
    3. Printing and color management
    4. Checklists and PDF presentations
    5. Print photos in a new image layout
    6. Spot color printing
    7. Duplexes
    8. Printing images on a printing press
    9. Photoshop Color Enhancement
    10. Printing troubleshooting | Photoshop
  23. Automation
    1. Create activities
    2. Creation of data-driven images
    3. Scenarios
    4. File batch processing
    5. Operation playback and management
    6. Adding conditional operations
    7. About actions and the Actions panel
    8. Recording tools in operations
    9. Add color mode change to operation
    10. Photoshop UI Development Kit for Plugins and Scripts
  24. Color Management
    1. Understanding Color Management
    2. Accurate color assurance
    3. Color settings
    4. Working with color profiles
    5. Color management of documents for viewing on the web
    6. Color management for printing documents
    7. Color management of imported images
    8. Perform proofing
  25. Content authenticity
    1. Learn more about content credentials
    2. Identity and origin of NFT tokens
    3. Connecting accounts for creative attribution
  26. 3D objects and technical images
    1. 3D in Photoshop | Common questions about deprecated 3D features
    2. Creative Cloud 3D Animation (Preview)
    3. Printing 3D objects
    4. 3D drawing
    5. 3D Panel Enhancement | Photoshop
    6. 3D Concepts and Tools
    7. Rendering and saving 3D objects
    8. Creating 3D objects and animations
    9. Image stacks
    10. 3D graphics workflow
    11. Measurements
    12. DICOM files
    13. Photoshop and MATLAB
    14. Image object count
    15. Combining and transforming 3D objects
    16. Editing 3D textures
    17. HDR Exposure and Toning Compensation
    18. 3D panel settings

The Warp command lets you drag control points to reshape an image, shapes, paths, and more. You can also warp using the desired shape from the Warp pop-up menu in the options bar. The shapes in the Warp drop-down menu can be modified by moving their control points.

Updated in Photoshop 22.5 (August 2021 release)

Using deformation
  1. Select the layer or part of the image to be deformed.

  2. After making your selection, do one of the following:

    • Choose Edit > Transform > Warp or

    • Press Control+T (Win) / Command+T (Mac), then click the Toggle between Free Transform and Warp Modes button in the Options Bar.

  3. Click the gear icon in the Options bar to see more visual guide options. In Photoshop 22.4.1 (May 2021 release), Visual Guides are even better with more guide options.

    You can now set the display of the warp guide and choose when to display the visual guides: Automatically show guides, Always show guides, and Never show guides. By default, the grid is set to Always show guides.

    You can also change the color and opacity of the visual guides, as well as the number of lines that make up the guide. The Density parameter sets how many lines are displayed between each warp split line. Density is set to 2 by default.

    When using control points to distort an element, you can also select View > Auxiliary Elements to show or hide the warp mesh and control points.

  4. To transform an object using a warp preset, choose a warp style from the Warp pop-up menu on the Options Bar.

    To create a custom warp mesh, choose a size from the Mesh pop-up menu in the options bar.

    • Select the grid size - default (1x1), 3x3, 4x4 or 5x5.
    • Select Custom and then specify the number of columns and rows in the Custom Grid Size dialog box.
  5. To add more grid control lines, select the split warp option.

    1. Do one of the following.
      1. On the Options Bar, click any button in the Split group.
      2. Choose Edit > Transform > Split Warp Horizontally, Split Warp Vertically, or Split Warp Crosswise.
    2. Move the pointer within the grid and click where you want to add more grid control lines. As you move the pointer over the warp mesh, split lines appear below it. When clicked, additional control points are added to the deformation mesh.

    For more information about warp split options, see Warp Split.

  6. Do one or more of the following.

    • You can manipulate a shape by dragging control points, a segment of a bounding box or grid, or an area within the grid. The curve is adjusted using the control point handles. This is similar to setting the handles of a curved segment in vector graphics.
    • Click the grid line to activate control points for editing the deformation. Click an anchor point (at the intersection of the grid lines) to edit the surrounding control points. Drag control points to warp the image.
    • To select multiple points, click the anchor points or drag the pointer over them while holding down the Shift key. When two or more points are selected, a rectangular frame appears around them.
    • To deselect multiple points, click the active anchor points or drag the pointer over them while holding down the Shift key. The size of the rectangular frame around the selected points automatically changes when selecting or deselecting points.
    • To remove the selected grid line (with control points visible along it), press the Delete key or choose Edit > Transform > Remove Warp Splits.
    • To remove the horizontal and vertical grid lines passing through an anchor point, click the point, then press the Delete key or choose Edit > Transform > Remove Warp Splits.
    • To change the orientation of the warp style selected in the Warp menu, click the Change Warp Orientation button in the options bar.
    • To shift the center of the transformation, click the square on the control point handle in the options bar.
    • To specify the amount of distortion in numerical form, enter the values ​​for bending (the "Kind" box) and distortions horizontally ("X") and vertically ("Y") in the parameter selection bar. If Custom or None is selected from the Warp Style drop-down menu, you cannot set numeric values.
    A custom warp split has been applied around the neck of the bottle. The density of the visual guides is set to 4. There are four guides between each warp division.
  7. Do one of the following.

    • Press Enter (Windows) or Return (Mac OS) or the Finish button in the Options Bar.

    • To cancel the transformation, press the Esc key or click the Cancel button in the options bar.

    Each time you warp, the sharpness of a bitmap (as opposed to a shape or a path) is slightly reduced, so it is recommended that you run several commands and only then confirm the overall transformation, rather than confirming all the transformations individually.

Added in the June 2022 release of Photoshop 23.4

Made at the request of the packaging designers! In this release, Photoshop introduces the Cylinder Warp Transform feature, which lets you bend flat illustrations to fit onto the surface of a circular cylinder. In addition, controls for resizing and perspective are implemented, allowing you to naturally fit the entire selection.

To work with the new cylindrical deformation transformation function, do the following:

  1. Select the layer or part of the image to be deformed.

  2. Select Edit > Transform > Warp from the menu, or press Command+T (Mac) or Control+T (Win).

  3. Press mode button Free Transform/Deform on the parameter selection panel.

  4. Go to the drop-down menu Warp in the Options Bar and select the bottom icon: Cylinder .

  5. Click and drag on-screen controls to adjust shape deformation:

    • Corner controls: To freely transform the entire selection, use the bottom/left and top/right resize controls.
    • Combining Angular Controls + Shift limits aspect ratio.
    • Curvature controls:
      • Top center control changes the top and bottom arcs synchronously.
      • Bottom center element only adjusts the arc of the bottom border.
    • Control perspective by moving the center anchor point right and left.

    A. Adjusts the curvature of both top and bottom B. Sets the top right corner. C. Adjusts the perspective. Swipe to the center to zoom out or swipe right to zoom in D. Adjusts the curvature of the bottom regardless of the top E. Sets the bottom left corner

    You can also apply a cylindrical warp transformation to text layers during creative document work.

In the August 2021 release of Photoshop 22.5, you can now use the Control (Win) / Command (Mac) modifier key to quickly switch warp split options without using the menu bar.

  • Control-click (Win) / Command-click (Mac) anywhere on the warp mesh to split it crosswise at that location.
  • Hold down the Control (Win) / Command (Mac) key and move the pointer to the edge of an existing horizontal grid line. Click to split the warp vertically at this location.
  • Similarly, hold down the Control (Win) / Command (Mac) key and move the pointer to the edge of the existing vertical grid line. Click to split the warp horizontally at this location.

You can move the handles (also called Bezier handles) of a control independently. These handles are attached to anchor points when using the Split Warp command to transform using a keyboard shortcut.

There are currently two options for moving with Bezier handles:

  • Consistent: moving one handle moves all others. The icon looks like a circle.
  • Independent: Each marker is moved without affecting the other markers associated with the reference point. The icon looks like a square.

Alt-click (Win) / Option-click (Mac) a point to toggle the state of the Bezier control (independent motion or consistent). You can also Ctrl-click the anchor point (or right-click) and choose Convert Warp Anchor Point from the shortcut menu.

  • Corner anchor points : By default, corner anchor points are set to independent move.
  • Edge/side anchor points : By default, the edge anchor points are set to move the horizontal/vertical pair consistent.
  • Inner Anchor Points : By default, the edge anchor points are set to move the horizontal/vertical pair consistent.

You can also select multiple anchor points (by holding down the SHIFT key) and then change the translation for all of these points at the same time.

Puppet warp displays a visual grid that can significantly deform certain parts of an image without affecting other areas. This tool can have many uses, from light retouching of an image (such as shaping hair) to complete transformation (such as measuring the position of arms or legs).

In addition to image layers, you can also apply Puppet Warp to layer masks and vector masks. To apply distortion to images without affecting the original, use Smart Objects. Learn more about creating smart objects.

  1. In the Layers panel, select a layer or mask for transformation.

  2. Choose Edit > Puppet Warp.

  3. In the Options Bar, adjust the following grid settings.

    Mode

    Specifies the overall elasticity of the mesh.

    Select Distort for a very elastic mesh to wrap around wide-angle images or texture maps.

    Density

    Specifies the distance between grid nodes. Selecting the More Points option increases the accuracy, but it takes longer to process, and selecting Fewer Points has the opposite effect.

    Extension

    Expands or contracts the outer edge of the mesh.

    Show grid

    Deselect to show only the adjustment pins and get an uncluttered view of the transformations.

    To temporarily hide correction pins, press the "H" key.

  4. In the image window, click to add pins to transformable areas and in places that need to be secured in place.

    Moving a pin on a puppet mesh. Neighboring pins hold the remaining areas in place.
  5. To reposition or move pins, do any of the following:

    • Drag the pin to deform the mesh.

    • To show an area of ​​the grid that overlaps another, click the buttons "Pin Depth" on options panel.

    • Press the Delete key to delete the selected pins. To remove others pins individually, hover over them, press Alt (Windows) or "Option" (Mac OS) and when the scissors icon appears click on them.

    • Press the Remove All Pins button on the options panel.

    To select multiple pins, Shift-click on them, or select the Select All command from the context menu.

  6. To rotate the grid around a pin, select it, and then do any of the following: next steps.

    • To rotate the grid a specified number of degrees, Alt-click (Windows) or Option-click (Mac OS) the cursor next to, but not over, the pins. When the circle appears, drag to rotate the mesh by eye.

    The angle of rotation is displayed in the options bar.

    • To rotate the grid automatically based on the selected mode, select Auto from the Rotate menu.
  7. When the conversion is complete, press Enter or Return.

To rotate the grid around the selected pin, press Alt (Windows) or Option (Mac OS).

More similar

  • New transform options in the Warp tool in Photoshop
  • Object transformation

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